布莱尔·萨克森·希尔
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布莱尔·萨克森·希尔（Blair Saxon-Hill）
1979年生于俄勒冈洲 尤金 (Eugene)
现在生活和工作在俄勒冈洲 波特兰 (Portland)
“作为一名艺术家，我扮演着研究者、流浪者、猎人、不敬的屠夫、媒人、赌徒和通灵者的角色。我对这个非凡的世界的回应是，从价值和漠视的深渊中收集，真诚地重新塑造那些奇异的、微妙的、优雅的、破碎的和热爱的事物，以在这种怪诞的政治氛围中关注我们这个时代的人性。”
As If Without Us We Could Be WeDecember 1, 2018 – January 5, 2019![]()
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Installation view of Blair Saxon-Hill: As If Without Us We Could Be We (December 1, 2018 – January 5, 2019), Nino Mier Gallery, Los Angeles
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Blair Saxon-Hill, Went Their Water, 2018, and I Swore a Kind of Allegiance, 2018. Wick, stick, carrot, can, mesh fruit bag, cement, nude corset, frame, glitter tinsel, seal skin, lamp shade, nude nylons, railroad flattened wire, child’s chair, wood, foam, metal, iridescent sticker, fiber reinforced plaster, gouache. Hidden crown hair extension, leather folder, plastic door mat, copper tubing, artificial Iris, tarp and grommet, wood, fiber reinforced plaster, cement, foam, gouache, 63 x 60 x 6 1/2 in, 160 x 152.4 x 16.5 cm (BSH18.040)
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Blair Saxon-Hill, Pro, 2018. Rubber, fiber reinforced plaster, gouache, wood, foam, found sliced garden hose, microfiber towel, cement, towel, wood, 41 x 17 x 4 1/2 in, 104.1 x 43.2 x 11.4 cm (BSH18.034)
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Blair Saxon-Hill, In The Ring, 2018, Speed bag, metal lamp head, brass coffee scoop, driftwood, tan leather and brown panty hose, hydrocal, hi-vis vest, fiber reinforced plaster, gouache, wood, ceramic, nails, strap, acrylic spray paint on leather, 43 x 36 x 17 1/2 in,109.2 x 91.4 x 44.5 cm, (BSH18.048)
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Blair Saxon-Hill, Shoulder Me Stick, 2018 Dunsmuir knob, Caldera wood, LA latex rubber form 52 x 6 1/2 x 5 in 132.1 x 16.5 x 12.7 cm (BSH18.033)
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Blair Saxon-Hill On Deck, 2018 LA metal, wash cloth, tin can, railing element, wood, rain jacket, fiber reinforced plaster, gouache, foam 84 x 48 x 8 in 213.4 x 121.9 x 20.3 cm (BSH18.045)
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Blair Saxon-Hill, Time’s Eye, 2018 Construction materials including embedded hi-vis clothing, hydrocal, gouache, fiber reinforced plaster, foam, metal 34 1/2 x 16 x 8 in 87.6 x 40.6 x 20.3 cm (BSH18.032)
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Blair Saxon-Hill One If By Land (Ashes), 2018 Wood, foam, cement, gouache, fiber reinforced plaster 17 x 9 x 6 in 43.2 x 22.9 x 15.2 cm (BSH18.035)
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Blair Saxon-Hill Each of Us, Briefly Gorgeous, 2018 Wood, pigmented hydrocal, cement, wire 46 x 18 1/2 x 28 in 116.8 x 47 x 71.1 cm (BSH18.036)
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Blair Saxon-Hill Cecil, 2018 Grandpa’s gold rimmed safety glasses, gold things, pin, fiber reinforced plaster, gouache, metal file with handle, artist’s robe 61 x 12 x 4 in 154.9 x 30.5 x 10.2 cm (BSH18.037)
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Blair Saxon-Hill Wholly Is Half Manner, 2018 Wood, ribbon, basket, paper clay, cement, fiber reinforced plaster, gouache, antique architectural support, glove, chewed straw, charcoal, badminton 48 x 36 x 9 1/2 in 121.9 x 91.4 x 24.1 cm (BSH18.038)
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Blair Saxon-Hill Red of Two Mouths, 2018 Hydrocal, cement, fiber reinforced plaster, gouache, wood, hair pin, metal shard Wood, gouache, fiber reinforced plaster, twine Hydrocal, cement, fiber reinforced plaster, gouache, wood, hair pin, plastic shard 24 1/2 x 33 x 7 in 62.2 x 83.8 x 17.8 cm (BSH18.039)
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Blair Saxon-Hill Are You Asleep? Poem of Force, 2018 Canvas, fiber reinforced plaster, stage paint, gouache, stick, ceramic, wood, metal, 90’s purse shard, leather strap, plastic, burlap, polystyrene pad, early 20th c. brass plate, tin can, handle, button, lichen 37 x 25 x 8 in 94 x 63.5 x 20.3 cm (BSH18.041)
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Blair Saxon-Hill Bears and Beckons, 2018 Wood, reversed handy work, mesh bag, incomplete embroidery, gouache, cement, fiber reinforced plaster, found plastic strapping Wood, gouache, fiber reinforced plaster, cement, found plastic shard, lava glaze bead, basket shard 67 x 53 x 10 in 170.2 x 134.6 x 25.4 cm (BSH18.042)
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Blair Saxon-Hill Marrow of Melt, 2018 Sardine can, fiber reinforced plaster, gouache, wood, pantyhose, rubber plumbing part on painted wicker spiral weave coaster, metal tacks 91 x 16 x 4 in 231.1 x 40.6 x 10.2 cm (BSH18.043)
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Blair Saxon-Hill We Carry to The Sun, 2018 Bass drum head, wood, fiber reinforced plaster, gouache, foam, purse, bristled brushes 26 x 19 x 9 in 66 x 48.3 x 22.9 cm (BSH18.044)
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Blair Saxon-Hill Holding Eva’s Spectres, 2018 Towel, fiber reinforced plaster, gouache, wood, metal tacks 30 x 18 x 3 1/2 in 76.2 x 45.7 x 8.9 cm (BSH18.046)
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Blair Saxon-Hill Low, Sweet Chariot, 2018 Cement, fiber reinforced plaster, gouache, wood, foam, basket 28 x 27 x 3 1/2 in 71.1 x 68.6 x 8.9 cm (BSH18.047)
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Blair Saxon-Hill Half Mast, 2018 Wood, gouache, fiber reinforced plaster, cement, pigment, foam, plastic shard, rubber grommet, metal tack, surface dyed chiffon, tulle, hose, plastic tubing, ballet slipper, inside out pants, handwoven textile, kazoo 60 x 33 x 6 in 152.4 x 83.8 x 15.2 cm (BSH18.049)
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Blair Saxon-Hill With All That Is Near, 2018 Wood, found paint strainer, foam, fiber reinforced plaster, cement, cloth, foam, metal, gouache, pigment 69 x 23 x 16 in 175.3 x 58.4 x 40.6 cm (BSH18.050)
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Blair Saxon-Hill Another Eye, 2018 Wood, foam, gouache, fiber reinforced plaster, cement, pigment, shell, handwoven textile, hidden red wig, fireplace cleaning bristles, rail plastic tongue eye, bluing, wicker handle 65 x 23 x 4 in 165.1 x 58.4 x 10.2 cm (BSH18.051)
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Blair Saxon-Hill Mending Attention, 2018 Basket, paper clay, paper mache, burlap, leather, fiber reinforced plaster, foam, gouache, branch Embroidery, gouache, buttons, yarn, wood, fiber reinforced plaster, pompom 32 x 33 x 12 in 81.3 x 83.8 x 30.5 cm (BSH18.052)
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Blair Saxon-Hill LoveDipDeathDance, 2018 Table top, wood, hydrocal, fiber reinforced plaster, cement, cloth, handrail, driftwood, gouache, pigment 52 x 59 x 22 in 132.1 x 149.9 x 55.9 cm (BSH18.053)
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Blair Saxon-Hill All The Oceans Came, 2018 Metal, fiber reinforced plaster, cement, wire, found strapping, paper wrapped wire, gouache 55 x 18 x 7 in 139.7 x 45.7 x 17.8 cm (BSH18.054)
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Blair Saxon-Hill Garden Tomatoes, 2018 Wood, foam, cement, gouache, fiber reinforced plaster 17 x 9 x 8 in 43.2 x 22.9 x 20.3 cm (BSH18.055)
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Blair Saxon-Hill Lavender Snow, 2018 Wood, foam, gouache, fiber reinforced plaster 12 x 7 x 8 in 30.5 x 17.8 x 20.3 cm (BSH18.056)
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Blair Saxon-Hill Travertine, 2018 Wood, foam, cement, gouache, fiber reinforced plaster 19 x 9 x 8 in 48.3 x 22.9 x 20.3 cm (BSH18.057)
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Blair Saxon-Hill Trickling Hour, 2018 Wood, foam, cement, gouache, fiber reinforced plaster 15 x 8 x 4 in 38.1 x 20.3 x 10.2 cm (BSH18.058)
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Blair Saxon-Hill Today (Boli Object), 2018 Wood, hydrocal, mesh, foam, fiber reinforced plaster, gouache 34 x 62 x 36 in 86.4 x 157.5 x 91.4 cm (BSH18.059)
Nino Mier Gallery画廊举办波特兰艺术家Blair Saxon-Hill的新作品首次个展。艺术家将一系列的具象雕塑和壁画作品组合、排列。装置作为一个整体，类似于对当今情绪化景观的触觉呈现，对我们的日常生活感到惊讶，热爱，愤怒，凝视着外面的世界。这些作品纹理丰富，使用的材料简陋，包括毛巾、浮木、复古纺织品、裤袜、安全眼镜和麻绳，以及更传统的工作室材料，包括石膏、木材和水泥。这些作品推动了艺术史的发展，例如贫穷艺术 (Arte Povera)和COBRA，以及丰富的国际和西海岸汇编史的发展。在这次展览中，Blair Saxon-Hill唤起了记忆、记录和感知，从持续不断的信息和数据流之外的日常事件中汲取的感知力，形成了她所谓的“不可能的文件”。
to no ending except ourselves, December 3, 2016 – January 29, 2017, JOAN, Los Angeles.![]()
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Installation view of Blair Saxon-Hill, to no ending except ourselves, December 3, 2016 – January 29, 2017, JOAN, Los Angeles.
JOAN呈现艺术家Blair Saxon-Hill的个展《to no ending except ourselves》，这是一组雕塑装置，被排列成抽象的人物，类似于舞台上的人物。她的二维和三维组合由手工和借来的材料构成，如天鹅绒、粘土、破布、丝绸、串珠手袋、衣架、棍子和雨伞。沿着墙壁，这些摇摇欲坠的人物似乎是拿起武器的行军。
对于Blair Saxon-Hill来说，这一系列作品的灵感直接来自于2016年总统大选前数月的政治动荡所带来的集体焦虑。她创造了一个混乱的场景——当他们从废墟中出现时，扭曲的面孔和他们破碎的身体在阴魂不散的和幽默之间取得了平衡，似乎从休眠状态中复活了。从贫穷艺术的遗产中汲取灵感，Blair Saxon-Hill采用常见的材料，揭示他们的年代感和光泽，她的作品是触觉的华丽和碎片的混合体。这组装置作品与她过去的作品有所不同，用一种微妙的感觉取代了一种粗犷的脆弱和讽刺的幽默感。
No Edge to Nature
Fourteen30 Contemporary, Portland
April 17 – May 17, 2015
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Installation view
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What Is Lost, 2015
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There is No Edge to Nature, 2015
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Form, Content and Human Interpersonal Relationships (Preparations), 2015
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Interiors, 2015
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Chopin Nocturnes, 2015
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Brooch, 2015
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Palette (Looking for Water), 2015
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Burt Reynolds, 2015
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Hephaestus, 2015
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“When He Prunes Objects” – Jean Genet, 2015
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Spoon, 2015
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SS15 Kale / AW18 Wigs, 2015
继续了她对摄影的使用和她对感知的发挥，Blair Saxon-Hill在一个新的系列作品中引入了绘画和雕塑媒介。在与错视画和当代艺术的传统对话中，这些作品诉说着我们文化时代的眩晕。
从屏幕文化和即将来临的环境灾难之间的矛盾关系中，Blair Saxon-Hill通过其自身物质过程的复杂性，强调规模、范围和变化的边缘，优先考虑物质和物质的实质。Blair Saxon-Hill的图像是经过精心挑选的，与“发现”的说法无关。“观众体验到交叉、堆叠、依附的方式、对触摸和消费的关注:这些新作品向观众宣布了一种完全跨媒体的方式(和制作)。”如果当代文化是在争夺新形象的军备竞赛，那么Blair Saxon-Hill就走出了“武器”的当代概念，成为了炫目的伪装——因此她通过另一种形式的(矛盾的)形象颠覆了自我毁灭的图像交易。
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